#tldr: life

[extraliga-related]

y don't you post more

Sometimes life just feels like receiving a cartoonish steel beam to the head, you know? There's always shit to do.

Do you want to see more posts? Help out now by:

making your own so I can reblog them

sending in requests so I won't have to pick & choose

telling me what you'd like to see

interacting with the ones I do make?

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[angelbitezzz]

[It was becoming increasingly clear that he wasn't her Sans. He sure looked like him but-this was different. HE was different. Sure, maybe affection hadn't been his forté, maybe his sense of humor was darker than what was generally acceptable, maybe he'd always been cagey and distant but...not something like this, never this. Nobody ever wanted to find out they had been dating a murderer.

"aaaaangel."

The soft sing-song of her name usually made her perk up. All it did now was send a bucket of ice water down her spine. There was something so utterly terrifying about knowing that you're a hairsbreadth away from death. She presses her hands harder over her mouth, squeezing further back against the counter, silently willing him to keep walking...

"tell you what, kid," Sans starts, too close. She suppresses a flinch as she hears him lean against the counter. "you're being pretty damn stubborn about this. but i do like you...so tell ya what! you make it to dawn without getting caught, i'll take the hint and leave you be. how's that sound?"

She doesn't reply, but he takes it as a yes anyways. He always liked doing that.]

Reposting this as a GIF!! It really ups the intensity, doesn't it?

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[deefighter2739]

It's still summer at Dedede's Resort... 😘❤️☀

[tubbytarchia]

I totally don't care that this trio didn't happen A GIRL CAN DREAM

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[turtleblogatlast]

Man I’ve said it before but for as annoying as Leo can be to Hueso, it’s still abundantly clear that Leo has inadvertently done a lot for the man? Yeah, he’s gotten him into a fair share of hijinks, but at the end of each of those was a long standing problem in Hueso’s life solved just like that.

In particular, Hueso’s exile from the Hidden City and his feud with his brother are both solved through Leo’s intervention, and it’s also sweet that both of these issues’ respective episodes end with Hueso happy.

[shepscapades]

Why does Ren have 4 ears? Are they all real or is one set fake?

Hehe I’ve gotten this question a lot actually! They’re all real— I like to think hybridization isn’t always a clean balance of traits, so Ren just unfortunately ended up with two sets of ears— his Dog ears being much more receptive to sound, naturally— and sometimes when the extra intake of sound is too overwhelming, I imagine he wears earplugs in his human ears to help adjust :> it’s a bit weird, but idk! i like to make designs funky and nonconventional! I liked the idea that Ren had hearing struggles due to wonky hybridization and just kept the concept :>

[nthflower]

Cuno should join Hardie boys in the future not RCM btw my unpopular hot take opinion thingie.

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[grmpgm]

come on, danny, let’s go party! 💗

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[lord-squiggletits]

Y'know I kind of feel like when Megatron killed Tarn and said 'I want you to spend your final moments thinking of this: that everything you've done has been for nothing' he was kind of self-projecting onto Tarn? Mainly because at Megatron's statue, M and T had a conversation where Tarn explicitly asked if all the Decepticons in service to Megatron died for nothing, if HE did everything he did for nothing. (And I think M even gave an answer along the lines of 'idk I think we basically did'). And then after Megatron killed the DJD and Rodimus teleported in to rescue him, there was that silent moment where Megatron just stared at Rodimus not moving at all before he finally took his hand at the last moment.

It honestly feels to me like for a while, Megatron fully intended to murder-suicide himself. Murder the DJD, his monsters and his creation, and then take himself out alongside them, because he is also a monster. Because he also feels that everything he's ever done has been for nothing.

Goddamn it's no wonder I liked that scene so much LMAO, as someone who thinks villain Megatron > Autobot Megatron, literally one of his key traits is that Megatron basically took his pain/trauma/worldview and used it to lash out at the universe and try to subjugate it to his vision. So the fact that he took his own pain and brutally murdered the DJD while telling them the very same thing that puts him through so much agony is so very deliciously ironic. And a return, however brief, to the Megatron characterization that I know and love.

[catboypines]

hey guys if i see another billdip vs billford poll i might ram my fist through my head <3 in fact can we stop with the comparison altogether lol. CLEARLY theyre the same but also completely different we’ve all elaborated enough on that. idc which one u like they both equally suck because bill is the worst. now lets go back to making whichever one we like better (for some weird unknowable reasons) kiss in our heads and go about our day. PLEASE